A few too many words on the current success and future state of Bonnaroo and life on “The Farm.”
Dev Hynes finally makes his way to Nashville with Blood Orange, and not a minute too soon.
A look at the inherent human connection of Soccer Mommy.
Some comparative literary analysis of Carson McHone’s fantastic new LP, Carousel and the works of Lucia Berlin, Raymond Carver, and more.
On going out on one’s own and the je ne sais quoi of sleepy empathy.
A little bit of musing about an East Nashville cornerstone and his newest record.
Better late than never, here’s our navel gazing and musings over Americanafest 2018, the genre it elevates, and the world surrounding.
Live On the Green versus Beyonce and Jay-Z, as the latest installment of Nashville’s Great spectacle attendance wars.
The second week of Live On the Green, with a little bit of sketch comedy show 101 thrown in.
An (abbreviated) look at the beginning of LOTG 2018 - through the lens of Dispatch and True Detective.
Easily the best Nashville show of 2018.
The grand sleaze of the indie music scene finally finds a place to rest in Nashville, and what a wonderful time it was.
An impressive display at The Mother Church from the tenured twenty-something.
A celebration of two of Nashville’s greatest purveyors of spirit and song.
We talk with one of Nashville’s most receptive collaborators and find out what to expect form her upcoming solo EP, as well as her journey to Nashville.
A special interview with the UK-based band as they made waves in Nashville during CMA Fest 2018.
Yet another Album of the Year appeal, this time, for Erin Rae’s Putting On Airs, along with some other general musings.
The ever rising career trajectory of Middle Kids continues, with a sold out show at The High Watt.
A look at the state of songwriting, writer’s rounds, and so on in Nashville, through the lens of the Texas wordsmith.
A look at the state of The Farm in 2018.
We catch up with Now/It’s alum, Emma Hern, at City Winery, performing as part of Music City Roots.
An appeal for Amen Dunes’ Freedom as an AOTY candidate through the lens of a vibey Ryman set.
In celebration of the quipiness, thoughtfulness, and exceptional latest release from Sam Lewis, LOVERSITY.
King Tuff return to town after a near five year hiatus, but it was well worth the wait.
